COMPUTATIONAL DESIGNER // DIGITAL FABRICATOR // CONCEPT ARTIST
Zen Vs Chaos
f(design) = ∫ chaos × order dt
Design isn't just about aesthetics—it's about understanding the underlying systems. Every curve follows a formula, every structure obeys physics, and every experience is engineered.
I blend computational precision with human intuition, creating objects that are both mathematically elegant and emotionally resonant. The chaos is intentional. The order is invisible.
SECTION_01
Columbia River Maritime Museum
Vancouver Aquarium · 2024
Under Construction
Erie Children's Museum · 2024
Competition Winner · Madrid
Erie Children's Museum
Perforated Aluminium
Reykjavík, Iceland
Strip Fabrication
Algorithmic modeling with Grasshopper, creating systems that adapt and evolve through mathematical relationships.
Exploded views, assembly drawings, and dimensional specifications that communicate complex mechanisms clearly.
Photorealistic renders, animations, and interactive 3D experiences that bring concepts to life before fabrication.
Structural analysis, kinetic simulations, and dynamic systems modeling to validate designs before production.
Immersive museum experiences that blend physical and digital, creating memorable encounters with ideas.
From file to physical: CNC routing, 3D printing, laser cutting, and hybrid manufacturing processes.
Nature is inherently chaotic, adaptive, and structurally optimized. To capture that fluidity without compromising structural integrity requires more than traditional drafting—it requires mathematical discipline. My work is anchored in the balance between Chaos (the organic, unpredictable complexity of form) and Naos (the classical architectural pursuit of order, structural proportion, and rhythm).
My career has been a cross-pollination of industries. My Bachelor’s degree in Product Design at ESD Madrid trained my eye in human-centric aesthetics, spatial user experiences and micro-scale component mechanics, and I went on to study Illustration at ESDIP Madrid. The analytical side came from Calculus, Linear Algebra, Physics I and Technical Drawing in Aerospace Engineering at UPM (Universidad Politécnica de Madrid). That mathematical foundation keeps me from treating design as mere decoration: I approach structures through vector transformations, material limits and load paths, and understand them well enough to coordinate with the engineer of record. Today I am formalising that path: I am currently enrolled online in the Bachelor’s degree in Industrial Design Engineering at UNIR (Universidad Internacional de La Rioja).
Since November 2023 I have been Senior Industrial Designer at 3D Services in Vancouver, designing custom exhibits and millwork for museums and public spaces and taking them from concept through shop drawings and CNC files to installation. I work in Rhino and Grasshopper and write my own C# components, with AI-assisted coding, for the jobs that repeat: nesting parts on sheet stock, organising data trees, labelling parts and generating CNC files directly from the model.
"La moda pasa, el estilo permanece" — Coco Chanel
In 1933, Alfonso Bialetti created the Moka Express—an octagonal aluminum coffee maker that would become a symbol of Italian design. Its form, inspired by his wife's silhouette, proved that engineering and art could be one.
Four decades later, Marcello Gandini drew the Lamborghini Countach—a wedge-shaped spacecraft for the road. Like the Moka, it was radical, angular, and unmistakably Italian.
"The Moka is inscribed in the collective memory of the Italian people. It formalised the ritual of making coffee at home." — Alberto Alessi, 2011
This LEGO interpretation connects these threads—aluminum precision, bold geometry, the silver dreams of the space age. Found in 9 out of 10 Italian homes, displayed in MoMA and the Smithsonian, these designs transcend function to become culture.
Every great project starts with a conversation. Whether you have a clear vision or just a spark of chaos, I'd love to hear from you.
me@andujar.design49.2827°N, 123.1207°W // VANCOUVER, BC
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