ZENEngineering · Lab CHAOSConcept · Sketch

COMPUTATIONAL DESIGNER // DIGITAL FABRICATOR // CONCEPT ARTIST

EMBRACING
CHAOs.
DESIGNING NAOS

Vs

f(design) = ∫ chaos × order dt

SCROLL
FLOCKING // SEPARATION · ALIGNMENT · COHESION FLOCKING // RULES = OPTIONAL
FIG. — THE GYROID OF PRJ_003, CUT BY A PLANE · DRAG TO MOVE THROUGH IT
sin x cos y + sin y cos z + sin z cos x = ±t Gyroid Sculpture

Where Mathematics Meets Intuition

Design isn't just about aesthetics—it's about understanding the underlying systems. Every curve follows a formula, every structure obeys physics, and every experience is engineered.

I blend computational precision with human intuition, creating objects that are both mathematically elegant and emotionally resonant. The chaos is intentional. The order is invisible.

∇ × B = μ₀J + μ₀ε₀ ∂E/∂t
// The equations that govern form

Where Sketching Meets Structure

Before a curve has a formula, it is a line on paper. I sketch to find the gesture and the proportions first—loose, fast and wrong a few times—and only then decide what the geometry has to be.

Illustration taught me to look before I measure. I draw on paper, in Procreate and over photos of the site, and carry that first drawing through the model, the shop drawings and the cut files, so the finished piece keeps the gesture of the sketch. The order is intentional. The chaos is visible.

sketch → model → cut → install // The lines that come before the equations

SECTION_01

Selected Works

Cedar and Sea Exhibit Columbia River Maritime Museum

PRJ_001

Cedar and Sea Exhibit

Museum Exhibition / Digital Fabrication
Rescue Boat Vancouver Aquarium Vancouver Aquarium · 2024

PRJ_002

Rescue Boat

Interactive Exhibit / Children's Space
Minimal Surface

PRJ_003

Gyroid Sculpture

Sculpture / Aluminium
VPL Children's Space Under Construction

PRJ_004

VPL Children's Space

Interior Design / Organic Form
VPL Central Tree Structure

PRJ_005

VPL — Central Tree

Parametric / CNC Fabrication
Balance — Industrial Design Concept

PRJ_006

Balance

Industrial Design / Concept
Building with Wood — Erie Children's Museum Erie Children's Museum · 2024

PRJ_007

Building with Wood

Exhibit Design / Children's Space
Editorial Illustration

PRJ_008

Editorial Illustration

Illustration / Traditional Media
Enka Chair Competition Winner · Madrid

PRJ_009

Enka Chair

Product Design / Furniture
Test Station Erie Children's Museum Erie Children's Museum

PRJ_010

Test Station

Exhibit Design / Interactive
Organic Bench Woven Canopy Perforated Aluminium

PRJ_011

Organic Bench

Public Art / Parametric
eON Public Intervention Seating Reykjavík, Iceland

PRJ_012

eON — Public Intervention

Public Space / Seating
Stripping Tree Sculpture Strip Fabrication

PRJ_013

Stripping Tree

Public Art / Sculpture
Apelton's Promotional Poster

PRJ_014

Apelton's — Poster

Graphic Design / Collage
Gripping Mop prototype — printed clamp plate and rack 3D-Printed Prototype · 2026

PRJ_015

Gripping Mop

Product Design / Prototype

SECTION_02

Capabilities / Tools

Grasshopper Scripts
01

Parametric Design

Algorithmic modeling with Grasshopper, creating systems that adapt and evolve through mathematical relationships.

RHINO GRASSHOPPER SOLIDWORKS C# RFEM 6
02

Technical Documentation

Exploded views, assembly drawings, and dimensional specifications that communicate complex mechanisms clearly.

CAD EXPLODED VIEWS BOM
03

3D Visualization

Photorealistic renders, animations, and interactive 3D experiences that bring concepts to life before fabrication.

BLENDER KEYSHOT D5
04

Physics Simulation

Structural analysis, kinetic simulations, and dynamic systems modeling to validate designs before production.

KANGAROO FEA
05

Exhibit Design

Immersive museum experiences that blend physical and digital, creating memorable encounters with ideas.

MUSEUMS INTERACTIVE WAYFINDING
06

Digital Fabrication

From file to physical: CNC routing, 3D printing, laser cutting, and hybrid manufacturing processes.

CNC 3D PRINT LASER

naos /ˈneɪ.ɒs/ noun from Greek ναός, “dwelling, temple” The inner chamber of a Greek temple, where the statue of the god stood.

chaos /ˈkeɪ.ɒs/ noun from Greek χάος, “the gaping void” In Greek myth, the formless void that came before everything else.

PENDULUM WAVE // GRAVITY = 9.81 m/s² PARTICLE SYSTEM // GRAVITY = OPTIONAL
Portrait

About Me

The Philosophy

Nature is inherently chaotic, adaptive, and structurally optimized. To capture that fluidity without compromising structural integrity requires more than traditional drafting—it requires mathematical discipline. My work is anchored in the balance between Chaos (the organic, unpredictable complexity of form) and Naos (the classical architectural pursuit of order, structural proportion, and rhythm).

The Trajectory

My career has been a cross-pollination of industries. My Bachelor’s degree in Product Design at ESD Madrid trained my eye in human-centric aesthetics, spatial user experiences and micro-scale component mechanics, and I went on to study Illustration at ESDIP Madrid. The analytical side came from Calculus, Linear Algebra, Physics I and Technical Drawing in Aerospace Engineering at UPM (Universidad Politécnica de Madrid). That mathematical foundation keeps me from treating design as mere decoration: I approach structures through vector transformations, material limits and load paths, and understand them well enough to coordinate with the engineer of record. Today I am formalising that path: I am currently enrolled online in the Bachelor’s degree in Industrial Design Engineering at UNIR (Universidad Internacional de La Rioja).

The Toolkit

Since November 2023 I have been Senior Industrial Designer at 3D Services in Vancouver, designing custom exhibits and millwork for museums and public spaces and taking them from concept through shop drawings and CNC files to installation. I work in Rhino and Grasshopper and write my own C# components, with AI-assisted coding, for the jobs that repeat: nesting parts on sheet stock, organising data trees, labelling parts and generating CNC files directly from the model.

10+
Years Experience
∞
Grasshopper Nodes
3+
Major Institutions
  • Vancouver Aquarium
  • Vancouver Public Library
  • Columbia River Maritime Museum
  • Erie Children’s Museum

SECTION_03

The Lab

"Nada en la vida debe ser temido, solamente comprendido" — Marie Curie

Studies, scripts and the analysis behind them. Each entry is a set of Grasshopper C# components with its spec, published on GitHub as it develops.

All Scripts on GitHub
LAB_01 SEP 2026 In progress
FIG. 01 — PINION & OPPOSED RACKS · z16 · m1.5 · α20°

Push-to-Grip Mechanism

A 16 mm push closes the clamp through 30 mm of jaw travel. A helical cam turns a 16-tooth involute pinion, the pinion drives two opposed racks, and a ratchet holds the grip. The 16 parts are Grasshopper C# components that share one base plane, so the stack builds coaxial and every number in the spec is checked against the others.

Jaw travel
30mm
Grip
79N
Push stroke
16mm
Height
44mm
  1. The push sets the budget. Rack force × travel = push force × stroke, 2400 N·mm either way, so doubling the travel from 15 to 30 mm halved the grip from 158 to 79 N. No cam geometry avoids that; a two-stage cam spends it unevenly instead, with 158 N over the last 6 mm.
  2. The wrap-spring clutch failed on the bench. Its steel coils cut a thread into the printed shaft and turned freely both ways: line contact puts PLA, PETG and POM at 2–3× their yield. The build moved to a ratchet and pawl, which loads a tooth flank in compression.
  3. Sized for the worst case. 169 N at the pawl gives 22.4 MPa of face pressure and 33.2 MPa of web bending, against about 65 MPa for POM.
GRASSHOPPER C# INVOLUTE GEARS CAMS FDM
LAB_02 SEP 2026 Published
FIG. 02 — M5 CAP SCREW, CAPTIVE NUT & SPRING · k 1.40 N/mm

Screws, Nuts & Springs

Paste-in components that build a screw and the hole it passes through, the tapped thread or captive nut it bites into, and compression springs with the load they will take. One plane goes into both sides, so the screw lands in its own hole with the head bearing on the face.

Thread sizes
63
Material presets
13
Vs. Shigley 10–1
0.4%
  1. Two paths, two sets of settings. A steel screw from the drawer needs a clearance hole and something to bite into, not a printed thread. The 13 presets start from how the part is made: machined, tapped after printing, resin, PLA, PETG, nylon and more.
  2. Springs checked against the book. Rate, safe load and stress at solid follow Shigley, chapter 10, and match its Example 10–1 to within 0.4% in metric and inch documents.
  3. No printed springs, on purpose. A spring works in torsion, the weakest direction of an FDM part, so the notes say to print one and measure it.
GRASSHOPPER C# ISO METRIC UNIFIED INCH SHIGLEY
LAB_03 MAR 2026 Published
FIG. 03 — QUAD FACES FROM EDGE CHAINS

Quad Mesh from Curve Chains

Turns a network of edge curves into a mesh made only of quads—no triangles, no pentagons. It merges endpoints that nearly meet, builds every four-sided face it can, and returns the boundary faces it could not close as polylines, together with the naked and interior vertices, so a gap in the network is easy to find.

Version
27
Sides per face
4
Outputs
6
GRASSHOPPER C# MESH RETOPOLOGY
1933 Moka Patent
Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Coffee Bean Apollo Capsule Bialetti Moka
THE SPACE AGE // 1933 — 1974

The Poetry of Italian Design

"La moda pasa, el estilo permanece" — Coco Chanel

Lamborghini

In 1933, Alfonso Bialetti created the Moka Express—an octagonal aluminum coffee maker that would become a symbol of Italian design. Its form, inspired by his wife's silhouette, proved that engineering and art could be one.

Four decades later, Marcello Gandini drew the Lamborghini Countach—a wedge-shaped spacecraft for the road. Like the Moka, it was radical, angular, and unmistakably Italian.

"The Moka is inscribed in the collective memory of the Italian people. It formalised the ritual of making coffee at home." — Alberto Alessi, 2011

This LEGO interpretation connects these threads—aluminum precision, bold geometry, the silver dreams of the space age. Found in 9 out of 10 Italian homes, displayed in MoMA and the Smithsonian, these designs transcend function to become culture.

Moka on Stove

Let's Build Something

Every great project starts with a conversation. Whether you have a clear vision or just a spark of chaos, I'd love to hear from you.

me@andujar.design

49.2827°N, 123.1207°W // VANCOUVER, BC

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