COMPUTATIONAL DESIGNER // DIGITAL FABRICATOR // CONCEPT ARTIST
Zen Vs Chaos
f(design) = ∫ chaos × order dt
Design isn't just about aesthetics—it's about understanding the underlying systems. Every curve follows a formula, every structure obeys physics, and every experience is engineered.
I blend computational precision with human intuition, creating objects that are both mathematically elegant and emotionally resonant. The chaos is intentional. The order is invisible.
SECTION_01
Columbia River Maritime Museum
Vancouver Aquarium · 2024
Under Construction
Erie Children's Museum · 2024
Competition Winner · Madrid
Erie Children's Museum
Perforated Aluminium
Reykjavík, Iceland
Strip Fabrication
Algorithmic modeling with Grasshopper, creating systems that adapt and evolve through mathematical relationships.
Exploded views, assembly drawings, and dimensional specifications that communicate complex mechanisms clearly.
Photorealistic renders, animations, and interactive 3D experiences that bring concepts to life before fabrication.
Structural analysis, kinetic simulations, and dynamic systems modeling to validate designs before production.
Immersive museum experiences that blend physical and digital, creating memorable encounters with ideas.
From file to physical: CNC routing, 3D printing, laser cutting, and hybrid manufacturing processes.
Nature is inherently chaotic, adaptive, and structurally optimized. To capture that fluidity without compromising structural integrity requires more than traditional drafting—it requires mathematical discipline. My work is anchored in the balance between Chaos (the organic, unpredictable complexity of form) and Naos (the classical architectural pursuit of order, structural proportion, and rhythm).
My career has been defined by a relentless cross-pollination of industries. I hold a Bachelor’s degree in Product Design from Madrid, which trained my eye in human-centric aesthetics, spatial user experiences, and micro-scale component mechanics. However, my analytical brain was forged through rigorous university engineering modules in Aerospace Calculus, Linear Algebra, and Physics 1. This mathematical foundation prevents me from treating design as mere decoration; it allows me to approach structures through the lens of vector transformations, material performance boundaries, and mechanical load paths.
Based in Vancouver, Canada, I have spent the last few years bridging the digital-to-physical divide as a parametric designer in the high-end custom fabrication and millwork industry. My daily engine is Rhino and Grasshopper, but my competitive edge lies in computational tool-building. I leverage AI-assisted pair-programming to architect and deploy my own proprietary libraries of custom C# components and GitHub repositories—automating complex geometric nesting, data tree structures, and multi-axis CNC manufacturing files directly from the design canvas.
"La moda pasa, el estilo permanece" — Coco Chanel
In 1933, Alfonso Bialetti created the Moka Express—an octagonal aluminum coffee maker that would become a symbol of Italian design. Its form, inspired by his wife's silhouette, proved that engineering and art could be one.
Four decades later, Marcello Gandini drew the Lamborghini Countach—a wedge-shaped spacecraft for the road. Like the Moka, it was radical, angular, and unmistakably Italian.
"The Moka is inscribed in the collective memory of the Italian people. It formalised the ritual of making coffee at home." — Alberto Alessi, 2011
This LEGO interpretation connects these threads—aluminum precision, bold geometry, the silver dreams of the space age. Found in 9 out of 10 Italian homes, displayed in MoMA and the Smithsonian, these designs transcend function to become culture.
Every great project starts with a conversation. Whether you have a clear vision or just a spark of chaos, I'd love to hear from you.
me@andujar.design49.2827°N, 123.1207°W // VANCOUVER, BC
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